Agoria has created an album that is at the same time constantly changing while also having a unique flow and mood of its own.
Sebastien Devaud, aka Agoria, entered the world of electronic dance music at a peculiar moment in time. Unlike the first generation of techno producers, he’s too young to have been actively listening to early 80’s electronic pop by groups such as Depeche Mode or New Order. But unlike younger DJs and musicians, he’s been exposed to house and techno more or less since the start of these genres.
Living in rural France, Agoria first got hooked to electronic music through listening to Kevin Saunderson’s classic Good Life on the local radio as a twelve-year-old kid in 1988. He was so impressed by the Inner City hit that he spent the following afternoons washing his neighbours’ cars to earn enough money to buy his first 12″. His next revelation came a few years later when one of the first DJ sets he experienced happened to be from Jeff Mills in nearby Lyon. It was the first time that I saw a DJ using three turntables and a drum machine. He really created something completely new rather that just playing records. And the way he moved, his precision and speed, impressed me.
Agoria started out as a DJ himself, quickly followed by organizing his own parties together with a group of friends (who also gave Séb Devaud his artist moniker loosely named after Agora the title of their party series, meaning meeting place in ancient Greek). He started producing and releasing his own tracks in 1999 and first gained international recognition with a series of 12’s on Pias Recordings in 2002, which were followed by the acclaimed album Blossom a year later. Since then, Agoria has released two more long-players The Green Armchair (2006) and soundtrack Go Fast (2008), all showcasing Agoria’s talent for creating deep, stripped-back, melodic, techno tracks. In addition Agoria has compiled three mix-cds that present his unique ability in pairing tracks of very different origins and layering them in creative, sometimes even awe-inspiring ways. Deservedly so, Resident Advisor named his contribution to the At The Controls series from 2007 as one of the best mix-cds of the past decade.[youtube=http://www.youtube.com/watch?v=DgPKe0D11zs]
Apart from his own work as a DJ and producer, Sebastien Devaud has also helped to establish Nuits Sonores, an ambitious electronic and indie event that takes place all over the city of Lyon every Spring and has, over the last ten years, become one of the best European festivals.
Another important contribution has been the start of InFine in 2006, a label that Devaud founded together with his friends Alexandre Cazac and Yannick Matray. InFine is a label that follows no rules, shies away from trends and features young, new talents, from various parts of the world. Its releases from Francesco Tristano’s piano treatments to Danton Eeprom’s sensual productions or Bachar Mar-Khalif’s dramatic arrangements continue to surprise and have made InFine a platform for new music that always challenges and excites it’s listeners.
March 17th 2011: Cielo, New York
March 18th 2011: King King, Los Angeles
01. Kiss My Soul (feat. Kid A)
02. Souless Dreamer (feat. Seth Troxler)
03. Panta Rai
05. Speechless (feat. Carl Craig)
06. Grande Torino
07. Heart Beating (feat. Kid A)
08. Little Shaman (Whispers by Scalde)
09. Under The River